TAXI Road Rally 2012 Flashback

For those of you not familiar with TAXI, it’s a 17-year-old company that helps unsigned songwriters and composers submit their music for a variety of opportunities in film, TV, movies, and with labels. This is very helpful for aspiring artists like me who do not have deals with publishing houses or music supervisors. It’s also a great way for music supervisors to license new music cheaply from unknown artists. I’m just too old to be a rock star, frankly, but I’d love to create a revenue stream from my music via TAXI.

Membership in TAXI costs $300 a year (discounted if you bring others to the service), and there are small per-song submission fees as well. The Road Rally is TAXI’s annual member conference. Michael Laskow, who runs TAXI, said that they have about 10,000 members, and that 2700 of them registered for the conference this year. I have heard others say that the Road Rally conference is one of the best things about being a TAXI member, and I tend to agree. Although free to attend (members can bring one free guest, also), it’s certainly not free when you count travel expenses and your time. There are so many music conferences these days, it’s important to budget for them and to ask yourself if they are really worth attending. We spent a about $1100 per person in real money, as well as the time away from our clients and our own music creation. I always come home with some new information and insights from the TAXI Road Rally, though. Sitting in LAX thinking about the last three days I spent at the Rally, I thought I’d share why I feel it was well worth both my time and money.

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5 Things To Expect From A Great Music Producer

(From a guest blog post I made on my producer and partner Stevie Adamek’s website on 1/08/2012).

You’ve been a musician for a while, maybe been in a few garage or cover bands, and perhaps performed live around town. Recently you’ve begun trying your hand at writing your own original music. Now, you’re ready to take the next step and get your original material out there. A set of high quality demo tracks is the first step to getting visibility for your songwriting talents and musical capabilities. Most bands just get themselves recorded – not produced. I think that’s a mistake. There are many talented producers out there, and your original music can go from ho-hum to off-the-hook-competitive with good production. I’m going to cover what to look for in a producer, because in my experience, there are many people out there who call themselves producers, but don’t really provide the 360 degrees of services that a great producer does.

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