Concert Window 101: Elegant Live Performance Streaming

ConcertWindow

I’ve written about the platforms StageIt and YouNow, where indie artists can stream a live music performance and even make money doing so. Concert Window was launched in 2011 by Harvard grads and musicians Dan Gurney and Forrest O’Connor to provide the same service. Still running a bit under the radar because they’ve only been live for about 9 months, Concert Window is gaining praise and growing quickly through word of mouth buzz in the indie musician community.

CoGar Kickstarter Concert

Last week, I attended a streaming performance on Concert Window by Austin singer-songwriter Alex Winters. The event security was a little strict but that’s okay, it went so well that I thought it would be interesting to interview Alex about her experience and try setting up my own artist profile.

Alex and I met through GoGirlsMusic, and while she was here in Seattle recently, she mentioned she was about to do her first Concert Window performance. I signed up on the website ahead of time as a viewer so I could tune in. One of the things I noticed right away was that I could watch Alex’s performance on my iPhone while away from my desktop. I  think this is a smart feature, and no doubt increases audience views significantly. Mobile is where it is at.

After a few minor glitches on both her end (Alex’s PRO TIP: “When you’re ready to broadcast, hit the BROADCAST button!”) and on my end (my AT&T phone signal was weak at first), I was able to enjoy her concert on my earbuds with no problem. Note that all the viewer features of the desktop version are not there on mobile, such as chat and tipping.

This post has three parts. First, an interview with Alex about her experience with Concert Window . Second, my walkthrough of setting up an artist profile and a performance on Concert Window. Last, I give my assessment of some of the features that make the Concert Window platform stand out.

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Walking The Dog Episode 4: PROs

This week on Walking The Dog, I talk about Performance Rights Organizations, or PROs. In the US, the PROs are ASCAP, BMI, and SESAC. Musicians can register with one of these three PROs as songwriters (music composer/lyricists) as well as publishers of their own music. Once you are a member of a PRO, you can then register your songs, which has the advantage of allowing you, the musician, to use the services of your PRO to collect royalties whenever that song is performed.

In this 15 minute episode, I refer listeners to a website called MusicalRedHead hosted by Christiane Kinney, who is an entertainment lawyer as well as an indie musician. I met Christiane a few years ago at SF Music Tech, and also follow her on Twitter (@musicalredhead). Her blog has a lot of great information for musicians.

In addition to giving a brief overview of what the function of a PRO is, the two issues I talk about in this episode are live performances, especially in smaller venues, and music licensing for television shows and commercials, and where PROs figure in the equation.

Please leave your comments and rebuttals below!

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Did I Move You? How To Throw A CD Release Party

I did something important this weekend. It was important because I’m dying. Not anytime  soon, mind you, but someday I won’t be here. So, because I could – because it mattered to me – this weekend I did a few things I enjoyed doing a lot. Things on my bucket list. These were all things I’ve never done before, and I did them with people I love and respect. I

  • entertained 50 people (pictures here),
  • performed original music I had created with my life partner, Stevie,
  • opened for Amanda Palmer (@amandapalmer, yes that Amanda Palmer), and
  • kicked off the launch of the first ever Solveig & Stevie CD, Superwoman (available soon via iTune and all your favorite channels and services).

Oh, and I moved people. That is really the most important part of what I did this weekend. I made something beautiful and magical for people I love and for complete strangers alike. How do I know this? Because people haven’t stopped telling me since last Saturday. That is why I make music: to move people. I don’t need to be a star. I don’t need to be famous. I’m old (relatively), and I have three kids.  I think regularly about how best to live the rest of my life, and what kind of meaningful memories I want to leave behind when I am gone. I’ve done my time in corporate meeting rooms. I want to make people feel. I want to touch people and make them think about their own creativity. If I did that for even a few people last weekend, that makes me happy.

Yes indeed. What a night! Could the long term good vibes of the church be blessing our communion ! I’m not the least bit religious but last night was the best feeling I’ve had in a group of strangers since the sixties. – Tim Rounds

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StageIt 101: Creating An Intimate Experience

It’s hard to tour – expensive, time consuming, and pretty much out of the question if you have kids or a full time job outside the music industry. But what’s an indie musician to do – you have to get out and promote your music, right?

I liken it to live internet porn for musicians, albeit generally G-rated and a much better value for the audience. Streaming your live music shows over the internet is one of the hottest ways musicians can boost their visibility, grow their fan base, and make a few dollars in the process, all from the relative comfort of their own living rooms. And neither they nor their fans have to pay a babysitter either. I’ve met quite a few musicians now who are putting on regular live performances via a streaming music service. There are several different platforms out there including StageIt, Ustream, LiveStream, Google+ Hangouts On Air, Skype, YouNow, Broadcast for Friends for Facebook, and Second Life Music. What are the relative advantages and disadvantages of each? I couldn’t find any articles that compared all the services, so I decided to try researching them myself and sharing what I’ve learned. In this article I’m going to cover the basics of StageIt.

My partner and I experimented last spring a bit with StageIt. We streamed two of our house concerts using it, and I found it quite fun. You start out by joining as a StageIt audience member, which is free. You can join by using your Facebook page, or by entering a StageIt name, email address and password. One advantage of StageIt is it’s dead simple to join. Once you are signed up as a member, you can sign up as a performer, which is a one-click action. To view a show, you purchase “notes,” a StageIt currency that translates 10 Notes = $1 US. To view a show, you purchase Notes in a minimum of 50 increments ($5 US). Notes are used to pay for tickets and to tip performers during the show (more on that later).

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