Interview With Grammy® Nominated @WhiteSunMusic Singer Gurujas Khalsa

I have several acquaintances who have won Grammys in recent years in the New Age category. I wrote a music marketing piece about the February 2015 win of two of them on this blog, Ricky Kej and Wouter Kellerman. I am also friends with two local Seattle area musicians, Eric Tingstad and Nancy Rumbel, who received a Grammy for Best New Age Album in 2003. Although I myself am not a New Age musician, New Age music and its Grammy category intrigue me both as a listener and as a music marketer.

I discovered the band White Sun about a year ago when I received a private Facebook link to their debut self-titled album during the first round of the Grammy listening and voting process in fall 2015. Their album entry really stood out. I was very impressed with their music, most especially with their female lead vocalist and unusual lyrics. As a vocalist and lyricist myself I listen closely to vocals and lyrics. The lyrics of White Sun’s songs are all non-English yogic mantras set to addictive repetitive melodies. From a production perspective, Garujas’ vocals are both immaculately produced and prominently front and center, which I also appreciate. The instrumental music production is quite lush and complex, much like a modern movie score, with the organic twist of traditional East Indian instruments.

In addition, the visual marketing of White Sun’s second album is striking to me. I’ve included some of their images in this post. The story of the mandala on the cover of the album can be found on their website.

The New Age category interests me as a music marketer, since, along with the Children’s Music Album category, New Age usually has many fewer entries than Pop, Rock or American Roots. It also has virtually no big label artist winners, and most are extremely hard working indie musicians doing their own marketing and promotion both inside and outside the Grammy process.

After I heard their music last year, I knew White Sun would have a good chance at Grammy nomination this year, and indeed, they have been nominated this year in the Best New Age Album category. I was so certain they would be nominated, that, as I did with Ricky and Wouter, I asked for an interview before the nominations were announced.

In my study so far of the marketing process for indie artists, I have come to the conclusion that it takes four important elements for a relatively unknown indie artist like White Sun to receive a Grammy win:

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Starbucks To Stage: Seattle Musician Paula Boggs

I first saw Paula Boggs perform at a local singer-songwriter hangout, the Soulfood Coffeehouse in Redmond, WA. She seemed totally comfortable on stage, despite the fact that she didn’t look or sound much like any of the other performers that night. It didn’t take more than a single Google search on my iPhone to turn up the fact that she was the former Corporate Counsel for Starbucks, along with having served on the Iran-Contra task force during the Reagan administration. I was intrigued.

I’m always interested in what draws someone with many talents and choices from the corporate world into music. I’ve said several times that learning the music business is harder than getting an MBA – even for someone with an MBA. Those of us who executed “Plan B” first, who had successful careers in other fields, might be tempted to find easier ways to fulfillment, like yoga or volunteering for the PTA. Or to simply look at our music as a hobby. You have to be pretty driven to stick with the music thing.

Paula is on her second  album release, coming this March, called “Carnival of Miracles”, so I guess she’s in it to stay.

Paula Boggs Ferris Wheel

Here is my interview with Paula Boggs. I think you’ll enjoy it.

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Suburban Mom Indie Musicians Plot To Walk the Red Carpet At GRAMMY® and HMMA Music Awards

Love and Fire A Dangeroous Combination

I don’t frequently post my own press releases on this website. I prefer to interview and feature artists other than myself. I have a few amazing musicians whom I met through NARAS (the Recording Academy) on deck in the coming weeks with some very successful music marketing and social media stories to tell – so hang in there. It’s also the middle of Grammy season, and believe me, I will have a follow-up post to my Grammy submission experience from last year.

But in the meanwhile, as those other musicians finish laboriously typing their detailed and informative interview answers, I’m making an exception and promoting some of my own recent achievements as an artist. Plus, this post isn’t just about me. It’s all about indie musicians collaborating to make things happen, and it features my good friend and musical collaborator, Elizabeth Butler, whom I have written about before on this blog. As you know, I’m not just a marketer and blogger, I’m a musician. I try to live by my own advice, which includes tooting my own horn once in a while. So bear with me, here’s a bit of self-promotion.

October 20, 2014

Do you have to be 19 and able to twerk in a bikini to receive recognition as a female musician these days?

Grammy AwardSolveig Whittle and Elizabeth Butler are proof that you don’t. These two indie female songwriter-musicians from Seattle, Washington and Houston, Texas, were notified recently that they both have songs and albums up For Consideration in the 57th Grammys and nominated for the 2014 Hollywood Music in Media Awards (HMMAs). The Grammys will be awarded in February of next year, but the HMMAs will be awarded sooner, on November 4th, 2014 at the Fonda Theater in Los Angeles.

The two women have been strategizing for months and working together to promote their music in an industry in which it is notoriously hard to stand out – and one that also tends to favor younger artists. They remain undaunted, however, and now their musical and co-promotional partnership has created some very visible results, such as their Grammy and HMMA nominations.

[Tweet “Collaboration is the new route to success in the music business”]

Like many indie musicians, Whittle and Butler have been hobbyist musicians their whole lives. Only within the last few years, however, have they gotten serious about putting resources and time into pushing their individual music careers forward. By sharing information with each other and honing both their musical and promotional skills, they have proved that collaboration is the new route to success in the music business.

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Female Guitarist Alice Stuart Shows Us How It’s Done At 71

She was featured in Guitar Player magazine in 1974. Rolling Stone did three stories about her in the 1970s.

 “There would be no Bonnie Raitt without Alice Stuart.” – Dick Waterman

If you want to know how to be successful long term in the music business – and how to continue to be successful in the 21st century new online, Do-It-Yourself model – you would do well to study the example of Seattle musician Alice Stuart.

She may not be a household name, but Stuart is a pioneer with a loyal fan base who has had remarkable lifetime success and longevity in a tough industry.

Alice Stuart 1973A Trailblazer For Women in Rock

Alice Stuart blazed the trail for women in rock and roll as one of the only females in the country to write her own music, front a male band, and play lead guitar on national and international circuits.

Stuart has played with many greats, including Jerry Garcia, John Prine, Albert King, Richard Greene, Elvin Bishop, Joan Baez, Doc Watson, Phil Ochs, Mississpi John Hurt, Frank Zappa, The Chambers Brothers, Tower of Power & Commander Cody.

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